Music
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- Reborn On Date: St. Louis' largest locally owned brewery gives its flagship a makeover
- Hail Mary: A pregnant Catholic priest causes readers to pour out their souls
- D.I.Y. Now for the Future: The Undertow Collective and Magnolia Summer are using technology to modernize their D.I.Y. creative vision
- STD-Day: The recent HIV scare at Normandy High School has prompted cries for better sex education
- Tattered Tale: A dubious sex and drugs complaint has a St. Louis police officer demanding justice
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National Features >
Phoenix New Times
Pen Pal
The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.
By Paul Rubin
Miami New Times
Budget Ballin'
South Florida's lawless exotic rental car industry keeps rolling.
By Gus Garcia-Roberts
Houston Press
Crime Doesn't Pay Back
In Texas, restitution for victims is nothing but a state-sanctioned sham.
By Chris Vogel
Seattle Weekly
Hot and Frothy
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
By Jonathan Kauffman
VAST
7 p.m. Wednesday, September 27. Creepy Crawl (3524 Washington Boulevard).
By Annie Zaleski
Published on September 20, 2006
VAST majordomo Jon Crosby successfully caught the tail-end of the eclectic alternative age with 1998's "Touched" (a creepy thunder-roll featuring haunted monk chants) and 2000's underrated Music for People (the best Love and Rockets album never made). But in the ensuing years, Crosby's profile has dipped underground — although he hasn't stopped releasing tunes; a new album, April, is due early next year.
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