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Recent Articles by Jaime Lees

  • Nick Oliveri

    10 p.m. Friday, October 10. The Trade, 3515 Chouteau Avenue.

  • Dead Confederate

    8:30 p.m. Monday, September 29. The Bluebird, 2706 Olive Street

  • OFFICE

    9:45 p.m. Friday, September 19. Cicero's, 6691 Delmar Boulevard, University City.

  • Felice Brothers/AA Bondy

    9 p.m. Wednesday, September 24. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.

  • Yea Big + Kid Static

    9 p.m. Thursday, August 14. The Bluebird, 2706 Olive Street

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

VAST

7 p.m. Monday, April 9. Creepy Crawl (3524 Washington Boulevard).

By Jaime Lees

Published on April 04, 2007

 VAST (a.k.a. the name under which musician Jon Crosby records) stands for Visual Audio Sensory Theater — and Crosby makes music that's appropriately epic for the moniker. While a combination of art-rock industrial beats and gothic classical strings is his trademark, a heavy global influence keeps Crosby's albums interesting; specifically, tribal beats add an extra layer of danger and impending doom to songs that could accompany the creepy vampire change-over scene in a Lost Boys remake. To break it down further, VAST mostly sounds like Failure's Ken Andrews singing a Pretty Hate Machine song for the Lion King soundtrack. In concert expect building, pressure-filled, atmospheric soundscapes low on humor and heavy on Bauhaus.


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