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  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

The Shondes/The Helium Tapes/That's My Daughter

9 p.m. Wednesday, December 19. The Bluebird, 2706 Olive Street.

By Jaime Lees

Published on December 11, 2007 at 1:41pm

Some are quick to call the Shondes a "queer-core" band based on the presumed transgendered identities of a few members — and because its sound easily attracts a college-aged queer-core audience. But it's more precise to call these New Yorkers a powerful, political band composed of young queer activists. While often compared to Sleater-Kinney, the Shondes sound more like the Gits: bold, melodic and aggressive, with music featuring interesting Jewish folk-music underpinnings. Though the lyrics are naked and unapologetic, fierce indie rock is its main ingredient — the full force of which can be felt when the band plays live. The Helium Tapes and That's My Daughter open.


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